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Author Topic: Why is Micro Four Thirds always behind the curve?  (Read 4020 times)

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Offline voyager

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Why is Micro Four Thirds always behind the curve?
« on: September 06, 2011, 04:38:11 PM »
In the year 2009, the Olympus E-P1 came out, leading everyone to realize a brand new type of camera that could be created. Smaller lenses, smaller everything. Ever since then however, both Olympus and Panasonic have not been able to release a single camera that has had the same kind of impact as the E-P1 did. Even more so, every single time another brand (Sony) innovates, and releases a camera such as the NEX-7, there is absolutely no response from both Olympus and Panasonic.

Why do you think that these two brands are having such a hard time keeping up, especially after starting the whole thing?
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Offline Psynema

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #1 on: September 06, 2011, 05:06:44 PM »
In the year 2009, the Olympus E-P1 came out, leading everyone to realize a brand new type of camera that could be created. Smaller lenses, smaller everything. Ever since then however, both Olympus and Panasonic have not been able to release a single camera that has had the same kind of impact as the E-P1 did. Even more so, every single time another brand (Sony) innovates, and releases a camera such as the NEX-7, there is absolutely no response from both Olympus and Panasonic.

Why do you think that these two brands are having such a hard time keeping up, especially after starting the whole thing?

Don't see how they aren't keeping up at all.  NEX-7 was just announced for chrissakes.  GH2 is awesome and small enough.  I think the difference is in perception for one.  A lot of photographers are on this board.  Panasonic is a VIDEO company first.  GH2 owners love it and really have no reason to buy Sony's crippled video system and enjoying how much better it is at video than Canon's APC cameras and being competitive with M2 video footage. 
 

Offline Blueridge

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #2 on: September 06, 2011, 05:11:59 PM »
From a business standpoint it is difficult to match each and every new announcement from multiple manufacturers. I think that Olympus and Panasonic are doing a good job of developing new products that deepen the lines and make the format a good choice for consumers at all levels. The original EP-1 made a huge impact because it was such a radical departure from the previous course of camera manufacturers. I also think that there are also some biases that exist in many of the publications that tend to ignore many of the advances in the format while drooling over each and everything from Canon and Nikon. The very fact that Sony and others are following with their own versions says that the micro four thirds systems are successful or the other guys would be ignoring them.

Offline joneschri

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #3 on: September 06, 2011, 05:24:13 PM »
they do not need to respond, oly just own them anyway, even with their old products, and plus there has just been a huge release of new PEN cameras
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Offline im10er

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #4 on: September 06, 2011, 08:31:53 PM »
I feel the same... I was extremely excited with the EP3 coming out especially with it's touch screen 35 point AF and 2 mechanical dials but NEX seems much better with 3 dials, touch screen, aps-c sensor, and EVF!!!

The only thing I'm still waiting on to buy it is reading the reviews on the camera and its quality. I'm also worried the lense selection is rather small.

With prices like these though... might as well wait for the new Canon 7D to come out in feb.

Offline tadeobiologo

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #5 on: September 06, 2011, 09:40:46 PM »
Behind what or why???
oly has just announced two wonderful lenses for MFT and pany has done the same!
it´s interesting how big brands like sony are trying to cover a lot of the market for EVIL or any digital cameras on the market by adding more and more features (honestly, anybody ever uses all features at least one time??) but some other are concentrated more on features you really need to cover your photographic needs (including decent optics)

Offline Peter Hovmand

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #6 on: September 06, 2011, 09:46:50 PM »
Yeah, I don't really see the problem ... are you joking?
Only thing missing is even better high iso performance ... but that will come in time ... to those who wait!

Offline Gillymaru

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #7 on: September 06, 2011, 10:18:49 PM »
I just pick up my EP 3, VF 2 and Nokton 25 mm and go and shoot. There is absolutely nothing Sony has that would make me any happier.
EP-3, VF 2, 14mm, 17 mm, 20 mm, Nokton 25 mm, 45mm, 14-42 mm, 40-150mm. E-5 and a quiver of 4/3 lenses.

Offline ralph

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #8 on: September 06, 2011, 11:45:00 PM »
Not sure I agree;

Olympus just brought out the E-P3 with the fastest autofocus of any interchangeable lens camera.  That's pretty impressive for such a compact system, and both oly and pana are bringing out some pretty amazing prime lenses this year.  I've just got the panaleica 25mm f1.4, which is a fantastic lens - better than the canon or nikon 50mm f1.4 primes (i've owned both) and by all accounts the oly 45mm is an amazing lens too (have it on pre-order), so I think they're both making good progress.

There's always the clamor for more MP, higher ISO, etc, but all the oly and pana offerings are pretty good.  I don't think I want more than 12MP - there's no real need for it, and just makes the files slower to work with.   

I would have liked to have seen better ISO performance of the E-P3.  It has noise even at base ISO and gets pretty bad above 800 and shocking above 1600.  If they could improve the performance by a stop or two I can't think of anything else I'd change about by E-P3.

My D700 was perfect sensor-wise IMO.  I was 100% happy with the 12MP and ISO performance.  If the E-P3 could have got to that point (ok, it's 1/4 the size, but  it's 2 years on from the D700 launch) it'd have said it was the perfect camera.

Edit:
Oh, actually there is one other thing;  When I bought my G12 I thought the articulated LCD was a bit of a gimmick, but I quickly changed my mind once I started using it, and now I miss it - it's great being able to brace the camera at chest level with elbows into waist - made up for not having a proper view finder as it gave a different way not to have to hold the camera all wobbly at arms length.  I guess I just  need to by an EVF to make up for that, but I read somewhere there's a new one on the way, so I'll wait a bit on that.
« Last Edit: September 06, 2011, 11:50:49 PM by ralph »
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Offline asterinex

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #9 on: September 07, 2011, 01:16:08 AM »
I think the M4/3 of Olympus and Panasonic are not behind. The E-P3 is a great cam.
But the major problem is sensor size.
With a bigger sensor it is easier to get better results. A smaller sensor needs  better software ,more  innovation, more resources, .... . It is more difficult to get equal results.

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Offline voyager

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #10 on: September 07, 2011, 02:28:16 AM »
Great to hear other opinions here, keep them coming!
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Offline delhaye

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #11 on: September 07, 2011, 02:56:14 AM »
A system is not only about cameras. With the 20+ lenses available, i don't think m4/3 is behind any curve....

Offline v_lestat

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #12 on: September 07, 2011, 02:58:49 AM »
Same camera with a slightly different body,,, how can anyone here even remotely call that advancing. Oh i am sorry the P3 can focus a little faster.

That is rehashing a mediocre product. They have made no technilogical advances period.

P1, 2, 3 and pl1 and all variations... its all the same camera with only tiny variations in the physical body.

They didnt even attempt to fix the unusable iso from 800 upward. (Shooting raw and using adobe raw to reduce noise is the ticket)

Some one please explain how olympus is keeping up with the competition.

Atleast panasonic and sony advanced their cameras. But only slightly.

Olympus can start by giving it a real viewfinder that works for all lenses, fix the horrid iso, give the body a REAL grip so you can actually hold on to it and just in general make a better camera.... but they cant... they just change the body and say oh look,,, its a new and better camera.

When you look at a product and can find no real reason to upgrade.... well, need i say more.

Offline yankl1

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #13 on: September 07, 2011, 03:16:49 AM »
Olympus E-P1 gave to us a new innovative system as did the old PEN system to the world and now everyone is trying to do the same or similar cameras.
Well, I think that Sony and Samsung do not play in the M4/3 each of them build a new system with a bigger CCD and they have a small lens arsenal.
Anyway,
I think that Olympus do not listen to our opinions and wishing lists and its too bad.
Who needs a build in small flash!! It was better if there was a build in remote flash. this way you can use a good size flash outside or use two of them.
Also I think it was better to integrate the VF-2 inside the body instead of the flash.
And the last one, the CCD should be update to a 16MB with better technology.
well I hope it will be so in the next E-p4... or in the PEN PRO.
JD

 
« Last Edit: September 07, 2011, 03:19:10 AM by yankl1 »

Offline Zelebrator

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #14 on: September 07, 2011, 04:28:26 AM »
I somehow agree to v_lestat's comments. All the Pens are very similar; to less-enthusiastic users than those posting here, there may be no apparent change or improvement at all. Most people are still mainly driven by pixel number and size of the camera - the former shall be huge, the latter either small ("handy") or huge, too (a "real" camera, ya know?).

In the big electronics shops, the guys usually crowd around those "real" cameras, i.e. DSLRs and impressive zoom lenses 10-800mm/f0.95. Some nerds try and grope Panasonic's GH2 & Co., but the Pens are mostly ignored.

From a technical point of view, the E-P3 is really a nice improvement. From the marketing perspective, Olympus is doing a lousy job (just my two cents). I am a good example: I would have never even considered the E-P1 in the first place. The missing EVF was simply not acceptable to me. Instead, the (at this time) brand-new GH2 really attracted my attention. Why? It simply looked like a small, but still "real" camera; just like my DSLR. I wasn't looking for another compact camera (which I considered the E-P1 to be, just from the look of it).

Only later, after reading numerous reviews and opinions, I started to have think about the Pen. Main reason, however, was the price difference; the E-P1 was simply much cheaper (50%) compared to the GH2.

In my opinion, there are far too many Pen models. In addition, I think the E-P2 should have been the real E-P1, as the E-P1 was not only missing an EVF, but also the option of attaching an external one. The E-P3 would have been a good E-P2 in case of a better sensor. To me, not the frequency of Olympus releasing new cameras is the problem, but the step size is. So they are probably not too quick, but too slow, as a new model simply has not enough stunning and visible features.

Z.

Offline ralph

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #15 on: September 07, 2011, 05:11:30 AM »
Hadn't thought about a built in EVF...

If that had been built into the side (rangefinder style), where that silly pop-up flash is, without changing the size and shape that would have been fantastic.  I'd have paid £200 extra for that happily.

If the E-P4 comes with a built in EVF (without getting physically bigger and lumpier) I'd upgrade to it.  2 stops better noise performance would be nice too, but I mainly convert to B&W where a bit of 'grain' looks nice and always shoot RAW, so it's not a deal-breaker for me.   If it just got loads more MP I wouldn't bother, and any more than 16 would start to put me off. 

I've always considered 12 to be about right for a digital camera.  That's enough for ANY print size, full stop -- the bigger the print the further you need to stand to be able to see it properly.

I've make 30x20 inch prints from my old 8.2MP 1Dmk2 and they looked fine.  Probably be able to see pixels with your face against the print, but how close do you look really look at a 30x20 print?

300 dpi is as small as your eyes can see at about 8 inches, and 12MP is enough for 300 dpi on a 13x10 print --and 8" is a lot closer than I'd look at a 13x10 print.  Any bigger than that and you just have to stand more than 8 inches away before it's too high-rez for your eyes. 

12MP will have higher resolution than your eyes can see on a 40x30" print from 2 feet away!  More MP? for what?  ???  I'd rather have bigger photosites and therefor better dynamic range and less noise.
« Last Edit: September 07, 2011, 06:27:14 AM by ralph »
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Offline lisandra

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #16 on: September 07, 2011, 06:12:21 AM »
Im going trough dejavu here, is this a re-post?
anyway, its hard to see whos ahead in the endless race of camera tech, and while sony did deliver on the pixels (resolution itself is yet to be seen) theyre still behind on lenses. Panny is yet to release the GF pro and when the x lenses get released with whatever camera they come with (panny has been working forever on that filterless foveon like sensor) sony fans will probably think that they are behind.

Besides, apart from 1/3-1/2 a stop in noise control (at the cost of resolution no less), I dont think the best from M4/3s is behind at all.
More megapixels don't necessarily mean more resolution...

Offline adash

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #17 on: September 07, 2011, 09:14:04 AM »
The current Sony sensors have a clear advantage in noise control, the most vivid example is the sensor in Pentax K-5, but not all recent advancements are in the right direction - see the 24.something sensor - why would you ever need to release a sensor with worse noise control than the previous generation?
I see no actual staying behind in any area except noise control. This is not an inherent limitation of the smaller sensor, but actually a very complex (and probably patented) tweaking of the result from the photodetector, in which Sony has an edge right now. In all other areas m4/3 is beginning to perform equally as well as "proper" DSLRs and other mirrorless do - it is both compact, of good resolution, already exceptionally fast AF, and mainly - it is a pretty usable little system. We are soon to see the F/2 zooms by Panasonic, and friends, this is no staying behind at all! Just for a comparison, tell me which system has F/2 zooms. I am putting it in big font as this is B.I.G. event itself.
Most systems by Canicon, etc. have the advantage of being around for decades, NEX is being supported by a company with turnover larger than that of some EU members, but if it wasn't for the suboptimal marketing (yes, I agree with v_lestat about that), we would have seen a much larger adoption by now.
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Re: Why is Micro Four Thirds always behind the curve?
« Reply #18 on: September 07, 2011, 09:36:56 AM »
You mention f/2.0 zooms, I think C/N/P/S all do f/2.8 as their FAST zooms as their tyical offerings... f/2. Where expect Olympus and few 4/3 SHQ lenses....

I think many want f/2 because the DOV will be as f/4 on FF lens on a FF camera.. So, I can understand that part... BUT, it is still f/2 in light gathering as far as the lens optics... Different size sensors will change that a bit as far HOW fast the sensor will gather light....larger sensors will react faster because of the larger photosites....So, m4/3 may not catch up there.

But, f/2 requires a lot of optical excellence in design and glass choices to reduce flair, and other natural lens errors as the element gets bigger... SO, I'd Expect f/2.8 as fast Zoom offering in PRO Zooms, to keep Retail with-in reach...

I don't they are behind curve, it is still a fairly new system camera, and many of the newer camera's have evolved quite nicely... and the Body/Sensor must be up to par first, before great and fast Zoom lenses are added to the mix...I think this is the 1st year that P/O has a body to warrant some great glass development.
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Re: Why is Micro Four Thirds always behind the curve?
« Reply #19 on: September 07, 2011, 10:32:06 AM »
I'll agree with the others and say that m4/3 is not "behind the curve". Sony is famous for flinging all sorts of stuff on the wall to see what sticks. Their rapid product cycle (and willingness to try goofy, offbeat ideas) is truly amazing. By comparison, I think Panasonic and Olympus are much more staid. But with the rash of new cameras and new lenses coming out, I think they're beginning to come out of their slumber. They have to convince the masses that m4/3 is truly the best of both worlds and fight like crazy to not be branded as simply something that's "too big for a compact and not as good as a DSLR".

Offline count_zero

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #20 on: September 07, 2011, 11:31:04 AM »
I'm still trying to figure out what is the curve.  The entire point of m43 is smaller and lighter without sacrificing image quality.  Sure, Sony and Samsung are first to market APS-C sensors with 20MP+, which is great.  But, I won't be surprised to see a Panasonic 20MP this winter 2012.  My only want/need for more MP is to shoot wide and crop, which most average users will never even think of doing.  We still haven't seen raw image samples from Sony or Samsung yet.  Clean high ISO is another one of those nice to have features, but most will never take advantage of it.  How often do you go touristing around in the dark where you need high ISO? 

I think Sony and Samsung have a much more difficult battle with being "too big for a compact".  The a77 evf instead of optical vf should be an interesting experiment to see what the market wants.  If the NEX7 wins over the a77, then the DSLR is dead.  There will always be a need for full frame sensor just like there is a need for medium format and large format, but for the average travelling photog m43 is the best option today imho.  I love walking up next to your typical tourist with too big camera and lens, and pop off my 17mm to put on the 40-150mm just to show off.  They always give me that look like "yeah, my camera is old, I need to upgrade to one of those little ones when the economy gets better".

Offline mhobart

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #21 on: September 07, 2011, 12:37:20 PM »
In the year 2009, the Olympus E-P1 came out, leading everyone to realize a brand new type of camera that could be created. Smaller lenses, smaller everything. Ever since then however, both Olympus and Panasonic have not been able to release a single camera that has had the same kind of impact as the E-P1 did. Even more so, every single time another brand (Sony) innovates, and releases a camera such as the NEX-7, there is absolutely no response from both Olympus and Panasonic.

Why do you think that these two brands are having such a hard time keeping up, especially after starting the whole thing?

Well, watching the enthusiast forums for several cameras this is a fairly typical remark.  Everyone is saying, hey, that other camera has features A, B, C, when will our camera get that?  Meanwhile in the other camera's forums people will complain that first camera has features X, Y, Z, when are we going to catch up?

Examples within the 4/3 companies where competition is working is that with the latest u4/3 Olympus has gotten faster in auto-focusing and is catching up with Panasonic in video file format.  There is the ongoing debate re in-camera vs in-lens optical stabilization...

One advantage that 4/3, u4/3 has now is the larger number of lenses in production and the very large number of lens mount adapters - giving us access to our many fine piece of legacy optics.
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Offline tamoio

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #22 on: September 07, 2011, 07:39:39 PM »
I'm not sure mft is behind anyone's curve. The GH2 is a hell of a camera, it arguably does a lot of things better than any of the aps-c competition. Olympus is consolidating a pretty lively niche market and still makes a first rate DSLR. Canikon have the advantage of a big selection of high quality optics, Sony has to contend with that too. I think cameras with mirrors are a dead end and just as Panasonic and Sony are the two biggest competitors in video they will eventually displace Canikon. I think Panasonic's next generation sensor will answer all the Sony challenges and probably introduce some innovations of their own.
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Offline lisandra

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #23 on: September 07, 2011, 08:05:13 PM »
Quote
I think Panasonic's next generation sensor will answer all the Sony challenges and probably introduce some innovations of their own.
Agreed, the never ending race makes users think someone is always behind
More megapixels don't necessarily mean more resolution...

Offline adash

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Re: Why is Micro Four Thirds always behind the curve?
« Reply #24 on: September 07, 2011, 08:41:31 PM »
Quote
I think Panasonic's next generation sensor will answer all the Sony challenges and probably introduce some innovations of their own.
Agreed, the never ending race makes users think someone is always behind
+1
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